THE PLAN Journal (TPJ) intends to disseminate and promote innovative, thought-provoking and relevant research, studies and criticism in architecture and urbanism. The criteria for selecting contributions will be innovation, clarity of purpose and method, and potential transformational impact on disciplinary fields or the broader socio-cultural context. The ultimate purpose of the TPJ is to enrich the dialog between research and professional fields, in order to encourage both applicable new knowledge and intellectually driven modes of practice. (Maurizio Sabini)

Latest Articles

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On the Work of Lisbeth Sachs: From the Aesthetic to the Environmental Impact of Architecture

by: Stamatina Kousidi VOLUME 4/2019 - Issue 2 , Pages: 1 - 21 doi: 10.15274/tpj.2019.04.02.8, published: 2020-01-23

Characterized by continuity, inventiveness, and a fervent exploration of the relationship between architecture and the environment at large, the work of Lisbeth Sachs was included in the 1979 issue of the Aktuelles Bauen magazine on women and architecture. This contribution proposes an in-depth review of Sachs’ underexplored work, suggesting a better understanding of her role as a practicing woman architect at a time when this task was not a matter of course. It places an emphasis on the dialogue Sachs established with her contemporaries, on the dense network of experiences that shaped her design approach, and on the ways it intersected with the late twentieth-century discourse on the relationship between architecture, ecology, and nature. It is not coincidental that the work of Frei Otto would have a long-lasting influence on Sachs’ design experimentation, informing her theoretical and applied design projects. Her design exploration, too, was influenced by the technological advances, the societal changes and the shifts in the cultural agency of  architecture, proposing each time a solution that addressed, rather than excluded, its surrounding context, cultural, physical, or environmental. 

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The W@ARCH.PT as an Ongoing Feminist Research Project in Architecture: Contextualizing Initial Reflections

by: Patrícia Santos Pedrosa VOLUME 4/2019 - Issue 2 , Pages: 1 - 12 doi: 10.15274/tpj.2019.04.02.7, published: 2020-01-16

In Portugal, the participation of female architects in the development of the profession – in the broad sense of the word: project, research, education, criticism, and policy – is far from having been identified, problematized, and disseminated. The research project  W@ARCH.PT (Women Architects in Portugal: Building Visibility, 1942-1986) strives to give visibility to female architects – revealing “who?”, “when?”, and “how?” – and contribute to expanding the history of Portuguese architecture, as well as developing feminist studies and ideas within the discipline. The strategies chosen to carry out this ongoing research intersect with feminist theories and epistemologies, outside and inside architecture. The issues raised require a critical understanding of the processes that sustain the silencing of female architects’ voices, imposing limitations on how we understand the profession in its many facets. The feminist historical reflection that we propose is based on the idea that combining the production of knowledge and professional practices is crucial to change gender biases and women’s oppression in both fields.

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Making Room and Occupying Space. Women Conquering and Designing Urban Spaces

by: Chiara Belingardi , Claudia Mattogno VOLUME 4/2019 - Issue 2 , Pages: 1 - 24 doi: 10.15274/tpj.2019.04.02.5, published: 2019-12-06

Women have always been strongly involved in creating environment and living spaces, even without initially being designers as the university became accessible to them very late. However, they were always strong involved in creating a healthy environment, and contributing to welfare state, where health and social equipment was a gender response to a modern life. Anyway, the history of architecture remains dominated by Masters and the female presence is almost invisible, even though women’s studies have made a large contribution to investigate lives, stories, and professional works. The paper highlights the contribution of women as builders of social and physical spaces from late nineteenth and focuses on Italian movements of second and third generation feminists. Nowadays feminists are pointing out invisibility of women as a structural violence, are claiming commons and creating new uses for urban space.

 Open Access

Jiyūgaoka as Women’s Realm: A Case Study on Tokyo Genderfication

by: Noemí Gómez Lobo , Yoshiharu Tsukamoto , Diego Martín Sánchez VOLUME 4/2019 - Issue 2 , Pages: 1 - 25 doi: 10.15274/tpj.2019.04.02.4, published: 2019-12-18

Framed within the question of how gender influences the production of urban space, this study reveals how Jiyūgaoka, a high-end suburban area in Tokyo, has developed by targeting a particular gender role: women as caretakers and consumers. Car-safe and bike-friendly, Jiyūgaoka pedestrian areas have more greenery, pavement, and urban furniture in comparison with the average Tokyo street. Jiyūgaoka spatial practices encourage the meeting of people in the public realm, creating relationships between behaviors and their supporting physical environment. By aiming at women, other non-normative bodies were rendered into the city, enhancing public life and creating an accessible milieu. Jiyūgaoka genderfication process, by which the overlaying of commercial and gender mechanisms has impacted urban phenomena, is shown through a chronological investigation of gender-charged contents and its mapping in the urban fabric. This study demonstrates how urban transformation in Jiyūgaoka has encompassed changes in the lives of women in Japanese society. Representative examples from each period illustrate the physical translation of this development, from a home cooking school to a promenade with hundreds of benches.

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Women’s Work: Attributing Future Histories of the Digital in Architecture

by: Shelby Doyle , Nick Senske VOLUME 4/2019 - Issue 2 , Pages: 1 - 20 doi: 10.15274/tpj.2019.04.02.3, published: 2019-12-06

Conventions of authorship and attribution historically excluded or erased women’s contributions to the built environment. As frequent co-authors and collaborators, women’s stories often do not fit into conventional historical narratives about how architecture is created. In response, this essay proposes a technology called “attribution frameworks”: a digital method for creating a transparent record of architectural labor. The authors argue that the integration of digital tools into architectural design offers a new space for more equally attributing, documenting, and counting labor and contributions to the discipline. This space allows for a more rich and inclusive narrative of contributions to architectural production for the future.

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Where Are the Lesbian Architects? Visibility and Its Challenges

by: Olivier Vallerand VOLUME 4/2019 - Issue 2 , Pages: 1 - 17 doi: 10.15274/tpj.2019.04.02.2, published: 2020-01-16

Until recently, discussions of the relation of sexual orientation with the built environment have mostly focused on gay men at the expense of lesbian women and trans people. This study thus presents a review of discourses in architecture and design as well as interviews with lesbian designers to understand how and why queer women have been almost invisible. The privileged position of men allows expression of their sexual orientation with less risk than women who are already facing discrimination. Furthermore, structural inequities have forced women architects to focus on issues of equality and inclusion for all women, with the side effect of often silencing how other forces such as sexual orientation or race combine to create more complex power relations. Invisibility is a problem, however, as it limits the ability to respond adequately to diverse social needs and to sustain more inclusive design disciplines. Bringing to the foreground the intersection of identities with experience of space can encourage younger generations of architects by offering role models and diversifying the range of life experiences informing the design of spaces.

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No Architect Is an Island: The Agency-Communality Spectrum and the Construction of Professional Identity in Architecture

by: Annelise Pitts , Julia Mandell VOLUME 4/2019 - Issue 2 , Pages: 1 - 26 doi: 10.15274/tpj.2019.04.02.10, published: 2020-01-17

Findings from the 2018 Equity in Architecture Survey demonstrate that architectural professionals tend to describe their work in terms of personal agency rather than communality. This pattern in architectural practitioners’ work orientations is associated with two major obstacles to achieving equity within the architectural profession. First, the practitioners who are most satisfied with their work are typically more communally oriented, suggesting that architecture’s overemphasis on the professional self may limit potential pathways to positive experiences of one’s work. Secondly, women in the profession face significant bias as they embody the stereotypically agentic professional archetypes of the Creative or the Rainmaker, but are also undervalued when they adopt communally-oriented, but lower status, professional personas. We conclude by proposing two parallel strategies intended to improve professional outcomes by addressing the adverse effects of agency-orientation in architectural practice. 

 Open Access

In This Issue [1/2019]

by: Maurizio Sabini VOLUME 4/2019 - Issue 1 , Pages: 5 - 6 doi: 10.15274/tpj.2019.04.01.17, published: 2019-09-05
 Open Access
Book Review

"Modern and Site Specific: The Architecture of Gino Valle 1945-2003"

by: Kenneth Frampton VOLUME 4/2019 - Issue 1 , Pages: 223 - 226 doi: 10.15274/tpj.2019.04.01.16, published: 2019-07-16




Modern and Site Specific:      

The Architecture of Gino Valle 1945-2003

By Pierre-Alain Croset and Luka Skansi

London: Lund Humphries, 2018

250 × 190 mm 

100 b/w and 150 color illustrations 

352 pages

£50.00 GBP (hardcover)

ISBN: 978-1848222779