Opus Versatilium: A Meta Vernacular Approach for Contemporary Load-Bearing Walls | The Plan Journal
Policy 
Open Access
Type 
Article
Authors 
Pablo Moyano Fernandez
Section 
TECTONICS
ABSTRACT -

The load-bearing wall has historically served as the primary enclosure and structural component of buildings. However, the Industrial Revolution brought about technological advancements that allowed structural frames to be separated from non-structural enclosures. Today, questions of building resilience and the sustainability of materials and resources are challenging the separation of the wall in terms of its structural, performance, and aesthetic properties. This article explores the hybridization of vernacular knowledge and building construction methods with emerging digital and material technologies as an alternative to current construction practices. The overarching goal is to position the load-bearing wall as a more efficient, resilient, and high-performance enclosure. The material of choice is concrete due to its versatility, strength, durability, availability, affordability, and resiliency. As the result of applied research, the author presents Opus Versatilium (OV), an innovative casting methodology. The commission and construction of a bird blind was essential to demonstrate the feasibility of the proposed method. Capitalizing on the fluidity and versatility of concrete, OV advances load-bearing walls and mobilizes formwork as an active and accessible design tool for innovation in building envelopes.

Building technology is a field of study that involves the use of available materials (material technology) and the methods of processing and assembling materials into a construction entity (structural engineering).1 The emergence of digital fabrication technologies has expanded the options for building assemblies in architecture and the construction industry. While digital fabrication tools offer appealing construction methods, they often rely on on-site labor-intensive processes to set up, assemble, and finish. In addition, such methods typically require abundant small elements with their associated number of joints and connections. Consequently, there is still a wide gap between the assemblage process required by digital technologies and the methodologies adopted by the building industry. However, in the case of concrete – due to the unique property of state change from fluid to solid – its reliance on molds brings to the forefront research in materials and fabrication technologies on concrete formwork as well as casting methodologies.

 

This article introduces the term Opus Versatilium (OV) as an applied research outcome based on the Sequential Casting Concrete System (SCCS) 2 that provided a wide range of wall morphologies for load-bearing walls. A two-phase project was designed to assess the constructability of OV. The first phase involved designing and constructing a series of prototypes to demonstrate the feasibility of the proposed methodology. The second phase aimed to test the implementation of the system on a large scale. Despite unique challenges due to the off-the-grid location with limited material and labor resources, the successful implementation of the OV in a low-budget project provided notable proof of the system’s versatility. 

EVOLUTION OF THE LOAD-BEARING WALL 

Walls are independent architectural elements with the inherent capability to enclose and define space. In the book Constructing Architecture (2013), Andrea Deplazes elaborates on Eugene Viollet-Le-Duc and Gottfried Semper’s architecture theory, identifying two distinct archetypal construction systems: “filigree” and “solid.3 The filigreeconstruction consists of frame-like structures with slender members assembled to create a usually lightweight planar lattice with a separation between load-bearing and protecting functions. The solidconstruction is characterized by massive, three-dimensional load-bearing walls made by layering stones or bricks 4 or by casting material into a mold that solidifies after curing.5 These walls bear the weight of the structure above them, transferring it to the foundation while providing enclosure to the building. The “filigree” and the “solid” construction systems have been used since the origins of human civilizations and have responded primarily to the availability of local materials.

 

During the Roman Empire, Roman walls were constructed using dressed stones and a solid core.6 Walls were classified under the term opus, Latin for work, followed by a second term that defined each particular technique, exerting the distinctive character of the different wall typologies. Opus craticium combined timber frame with masonry infills, common in ancient Rome’s multistory dwellings.7 Opus quadratum, a technique rooted in Greek construction, used regular squared stone blocks stacked typically without mortar. Opus caementicium, also known as Roman concrete, was the predominant wall type in the architecture of the late Republic and a testament to the Roman innovative use of materials in architecture.8 The use of local materials played a vital role in the discovery of concrete. In many parts of western Italy, the sand used in construction came from volcanic deposits with a high silica and aluminum oxide content, known as pozzolana. The resulting mix offered superior compressive strength when combined with lime and water. Opus caementicium consisted of lumps of small stone aggregates (caementa) or rubble mixed with high-strength mortar, acting as a filler. 

 

Roman concrete became an efficient and economical substitute for traditional construction materials such as stone and timber and more suitable for constructing complex geometries such as vaults, domes, and curvilinear walls. Roman wall construction offered high flexibility on the facings that varied according to the available materials, labor, and different trends. Opus incertum employed random interlocking patchwork of irregular stones of different sizes, opus reticulatum consisted of a netlike pattern of small square-shaped “tufa” set diagonally, and opus testaceum used courses of brick or tiles cut in triangles with one edge forming the facing of the wall. Opus mixtum combined the methods of opus reticulatum with opus testaceum.9 These walls were built from the outside to the center, using brickwork or stones to shape and contain the inner wythe, allowing the builders more precision, reduced timber shuttering use, and the need for high-skilled labor. However, regardless of the facing of the wall, opus caementicium formed the structural core, carrying the weight down to the foundations. 

 

Load-bearing masonry served as the most fundamental and substantial structural component for durable secular and religious buildings in Western civilizations until the late eighteenth century. However, during the nineteenth century, technical advances accelerated by industrialization enabled the separation of structural frames from non-structural enclosures, challenging the role of the load-bearing wall as the primary enclosure and structural component of buildings. Today, load-bearing walls are common in low-rise buildings and are usually present as flat surfaces made primarily of masonry (bricks and CMU), wood (platform framing), and concrete (cast in place, precast, and tilt-up). In multistory buildings, load-bearing walls almost exclusively serve as shear walls for lateral bracing rather than as an expressive, performative building enclosure.

CONCRETE 

Concrete is today the most used conventional construction material worldwide. There is an equivalent of forty tons of concrete for every person on the planet, with an increase of one ton per person annually.10 The material’s ability to phase change from liquid to solid allows it to adopt virtually any shape, a testament to its versatility. Its strength, durability, low cost, low maintenance, availability, thermal mass, and resiliency have made it extensively used in a wide range of applications. Contemporary concrete structures typically consist of rectilinear elements (columns and beams) and flat surfaces (slabs and walls). The availability of normalized products, formwork efficiency, production speed, and cost-effectiveness mainly influence the geometry of these structures. The rapid spread of concrete in the early twentieth century derived from its potential to standardize construction elements.11 In many parts of the world, reinforced concrete is a simple process that unskilled workers can carry out.12

FORMWORK 

Concrete owes its shape to the mold in which it is cast. This reliance on a temporary armature brings mold-making to the forefront of the possibilities of concrete. The use of formwork for concrete construction dates back to Roman times, with the introduction of concrete walls (opus caementicium) cast between timber shuttering with vertical supports on the inside.13 This system, known as terre pisé or rammed earth, was a technique used by ancient civilizations that later became a precursor of modern concrete.14 During the latter half of the nineteenth century, as the use of concrete increased, building contractors realized the high incidence of the cost of the formwork in concrete construction. The terre pisé system was improved and standardized for economic purposes, with formwork variations patented in France, England, and other European countries.15 Formwork development has paralleled the growth of concrete construction throughout the twentieth century,with its economic implications becoming increasingly significant.16 Despite concrete becoming widespread recently, formwork carpentry has remained a costly part of the system, often accounting for a substantial portion of the total cost of the project. In the construction industry, the cost of formwork often ranges from 35-60 percent or more of the total cost of the concrete structure.17

 

Static Formwork

 

“Static formwork,” a temporary structure of preeminent importance in concrete construction, is used to contain poured concrete, mold it to the required dimensions and shape, and provide support until it can be self-supportive. It should provide the face contact material and the bearers directly supporting the fluid mix until it cures.18 Some formwork requires an additional framework called “falsework,” which includes any temporary structure used to support the concrete inside the molds until the material gains self-supporting strength. Static formwork must be robust, capable of supporting the weight and pressure of the wet concrete, and rigid to maintain its position. It should also be tight enough to prevent leaks, and designed for easy removal, ensuring the safety and stability of the concrete structure.19

Wood is the most typical material in cast-in-place practices and precast plants, given its availability, low cost, and ease of working with simple tools. Builders commonly use plywood for sheathing and dimensional lumber to stiffen and brace the formwork components.20 While wood formwork can be reusable, it does deteriorate when in contact with water, requiring replacement. In contrast, metal formwork, though more expensive, offers distinct advantages. It is a reliable choice for constructing large structures and when repetition is necessary. They last longer and are more economically viable in the long run. Materials like fiber composites, rubber, and plastics also find applications in formwork construction. 

 

Dynamic Formwork

 

Dynamic formwork is characterized by its ability to move. It allows for continuous concrete casting into a formwork that slides at a pace determined by the hydration rate of the material. This results in a self-supporting concrete structure upon release from the formwork.21 Slipformingisa process that utilizes forms that move horizontally or vertically during concrete casting. The form acts as a moving die, shaping the concrete in an extrusion process, typically moving vertically at a rate of 6 to 12 in. [15 to 30 cm] per hour. This method is particularly beneficial for constructing concrete cores on tall buildings, towers, and stacks, offering a cost-effective solution.22 In fact, despite a century of operations, slipform remains the fastest construction method for designated vertical structures that are typically at least 75 ft. [25 m] tall for economic reasons.23

Jumpforming, a similar construction technique, involves casting concrete into a form that is then raised vertically for succeeding concrete lifts. The lower concrete segment supports the ones above as the concrete hardens and cures, ensuring the stability of the structure. Once an entire lift is placed and the concrete is partially hardened, the form moves upwards, completing one cycle.24

 

Sustainability and Life Cycle of Concrete

 

Reinforced concrete has revolutionized architecture and engineering projects with its strength, versatility, durability, and affordability. However, cement, the “binder” in the concrete mix, bears a stigma due to the high energy required for its manufacturing and the high CO2 emissions. In standard concrete, ninety percent of the carbon footprint is from Portland cement,25 and cement manufacturing accounts for about seven percent of the anthropogenic CO2 emissions.26 Cement production increased exponentially during the second half of the twentieth century. Moreover, the cement market is projected to grow significantly in the coming years, particularly in developing countries.27

 

Several measures have been implemented to lower the environmental impact of Portland cement production. For example, the introduction of blended cements reduces the need for Portland cement clinker by replacing it with byproducts of other industries, such as fly ash, slag, silica fume, and other pozzolanic materials called Supplementary Cementitious Materials (SCMs).28 By replacing cement content with SCM, concrete acquires higher compressive strength while reducing the amount of cement needed and lowering the carbon footprint of the resulting concrete mix. The increased compressive strength allows the design of more efficient structures, decreasing the overall material usage. Using alternative low-carbon fuels in cement manufacturing, such as hydrogen or biomass, as substitutes for fossil fuels is another alternative to lowering emissions. Other tactics to minimize the environmental impact of concrete include optimization of total aggregate gradations, use of superplasticizers and water –reducing admixtures, and CO2 sequestration and injection, among other strategies. Public agencies and corporations can encourage and mandate further reductions through incentives, regulation, and legislation.

 

Shortages in limestone – the primary raw material for Portland cement – coupled with the ongoing improvement in efficiencies in the chemistry of concretes and admixtures, as well as tighter environmental regulations, are set to catalyze a shift from the traditional “cement industry” to the “hydraulic binder industry.” This transition promises to lead to a more sustainable, high-tech, and economical concrete in terms of performance, offering a compelling future for the cement industry.29

The United Nations defines sustainability as “meeting the needs of the present without compromising the ability of future generations to meet their own needs.” 30 In the context of concrete production, this translates to using materials and methods that minimize environmental impact, conserve resources, and ensure the longevity and performance of the material. Hence, to comprehensively assess the concept of sustainability, it is imperative to address the material’s “life cycle.” For this reason, it is vital to consider the short and long-term consequences of the material selection for a specific project. Since most buildings are designed to last several decades, the long-term impacts become preeminent in determining the environmental implications of the material selection.31 Concrete can deliver durable structures, envelopes, and other building components that are flexible in design, affordable, low maintenance, and can perform efficiently through their lifetime. Therefore, the long-term impact of concrete buildings is considerably lower than that of other standard construction alternatives when considering the longevity and performance of the material over its extended “life cycle.”

 

High-Performance Concrete and Ultra High-Performance Concrete

 

Modern concrete is increasingly becoming a sophisticated chemical material, incorporating mineral components, mineral admixtures, and amorphous products.32 This evolution has led to the emergence of High-Performance Concrete (HPC) and Ultra High-Performance Concrete (UHPC), which boast exceptional compressive strength. These types of concrete enable the construction of structures with reduced cross-sections, thereby minimizing the required material and steel reinforcing volume. UHPC results from combining Portland cement, supplementary cementitious materials, reactive powders, limestone, quartz flour, fine sand, high-range water reducers, and water. The material formula can provide compressive strengths over 29,000 pounds per sq. in. (psi) [200 MPa] while standard concrete ranges between 2,500 to 5,000 psi [17 to 35 MPa]. Adding high-carbon steel, PVA, glass, and carbon fibers further enhances its performance to meet specific requirements.33

Furthermore, the high flow and self-compacting characteristics of UHPC make it highly workable and easy to mold. Another outstanding characteristic of HPC and UHPC is the remarkable increase in durability. The potential for a millennium-long lifespan building façades with minimal to no maintenance and environmental impact over time is a massive paradigm shift in sustainable infrastructure.34 The life cycle of HPC is estimated to be two to three times that of standard concrete, and it can be recycled two or three times as coarse aggregates for other concretes before reaching its end life, further enhancing its sustainability properties.35

METHODS 

Opus versatilium (OV) offers a “dynamic” and “modular” alternative casting method to conventional concrete formwork. It hybridizes vernacular construction methods with cutting-edge technologies and materials. The method, inspired by the ancient terre pisé technique and combined with the Roman wall construction system, simplifies the casting process by employing a series of significantly smaller modular molds made with digital fabrication tools and incorporating the latest concrete technologies. The casting process is based on the author’s studies of the Sequential Casting Concrete System (SCCS). In this system, concrete is poured into a row of molds temporarily clamped and continuously reused. The lower concrete segment supports the ones above as the concrete hardens and cures (Fig. 1). 

Figure 1.
1

Sequential Casting Concrete System (SCCS), casting process using 3D printed molds.

Opus Versatilium

 

This method involves using either small-size 3D printed molds or handmade plywood frames with exchangeable inserts made out of rubber, 3D printed, or any other mold materials. The molds are highly reusable and generate virtually no waste. The molds are arranged in horizontal rows and locked with small spring clamps. The construction of the wall allows the placement of steel reinforcing rebars as the casting progresses. The concrete is poured as each row of molds is set and locked. While the mix is curing, the next row of molds can be set on top for the last row to cast the forthcoming segment. This innovative methodology is systematic, efficient, and straightforward to cast on-site. It offers a compelling alternative wall assembly compared to traditional concrete casting systems, providing a robust and resilient building enclosure system with reusable formwork. The simplicity of the process facilitates its execution by unskilled labor. 

 

The casting methodology capitalizes on the plasticity and self-consolidating nature of UHPC. This type of concrete eliminates the need to compact or vibrate the batch, allowing the use of very economical spring clamps to lock the molds in place temporarily. The fluidity of the UHPC can quickly fill intricate mold geometries and textures while delivering high compressive and considerable tensile strength envelopes, which reduces the overall thickness, material usage, and weight of the structure. UHPC can produce building enclosures that are inherently resilient against extreme weather conditions (hurricanes and tornadoes), fire, earthquakes, insects, flood, moisture, and mold, including human-caused phenomena (blasts, force protection, and acoustic mitigation). In addition, UHPC offers much more durable concrete structures that require no maintenance while significantly extending the life cycle compared to standard concrete. 

 

As a result, the proposed method delivers load-bearing building enclosures that integrate structures and skins with non-conventional, highly customizable geometries with variable cross-sections; hence, the name of the wall system: opus versatilium. The term refers to a “versatile casting system” that allows subsequent placement of “customizable molds” to produce variations in the anatomy of the wall while offering multiple surface textures. OV provides flexibility in design for concrete load-bearing wall construction with simple and complex enclosures that are low-cost and are not dependent on skilled labor for their execution. This versatility opens up a broad range of creative possibilities in the design of concrete load-bearing walls. The main advantages of OV include: 

 

(1) small size of molds

(2) high reusability of molds

(3) mass customization of affordable 3D-printed molds

(4) design of non-standard structures and geometries

(5) ability to provide openings, cantilevers, and tapering profiles

(6) simplicity of the casting process (non-skilled labor)

(7) zero formwork waste

(8) functional gradation of the material

(9) low cost compared to conventional formwork

(10) safety

(11) minimal or no need for crane and scaffolding

(12) feasibility as a precast and cast-in-place method

 

As a contemporary evolution of opus caementicium, the essence of the Roman wall, opus versatilium advances concrete construction into a broader spectrum of morphological configurations in low and high-rise architectural applications. The ultimate goal of this methodology is to make load-bearing concrete walls more accessible to communities, offering design flexibility while using affordable and local resources. This approach is not limited to specific geographical regions, making it a viable solution for diverse construction needs (Fig. 2). 

Figure 2.
2

Opus versatilium hybridizes ancient Roman wall construction methods with emerging technologies and materials.

Initial Prototypes

 

The development of eight preliminary load-bearing wall prototypes served as a proof of concept showcasing an innovative series comprising two planar options (flat and grooved), two permeable walls (halftone and acoustic), two articulated geometries (macro-articulated and micro-articulated), one face brick wall, and one undulated geometry wall. The materialization of these prototypes demonstrated the feasibility and versatility of the load-bearing concrete wall construction method.36 (Fig. 3.)

Figure 3.
3

Load-bearing wall prototypes: (a) flat, (b) macro-articulated, (c) micro-articulated, (d) grooved, (e) face brick, (f) permeable halftone, (g) permeable acoustic, and (h) undulated.

Ultra High-Performance Concrete (UHPC) was the casting material for all prototypes. This self-consolidating concrete offered maximum flowability and no vibration requirement, proving its effectiveness, especially when casting concrete into molds with intricate geometries. The UHPC used yielded a compressive strength of 15,000 psi [100 MPa] at twenty-eight days, three times higher than standard ~5,000 psi concrete [35 MPa]. This higher compressive strength allowed for a reduction of wall thickness and, consequently, less material use compared to standard concrete. The construction of the prototypes used 4 x 4 in. [10 cm x 10 cm] plywood frames with interchangeable plug-in inserts, offering morphological versatility and ease of use. Several different inserts – 3D printed and made with urethane rubber – were employed for each proposed option. The overall size of each mockup was 32 in. [81 cm] wide and 40 in. [102 cm] high with variable thicknesses (Fig. 4).

Figure 4.
4

Prototype documentation for the “Permeable Halftone” wall type used to construct the Bird Blind project.

The prototypes were cast in sequential batches, one row at a time, with a casting frequency of one per day. Since the height of each row was 4 in. [10 cm], the hydrostatic pressure of the concrete was reasonably low. Some tests successfully yielded two and three rows cast simultaneously, further demonstrating the efficiency of the construction method.

 

Bird Blind

 

The Audubon Center is located within the 3,700 acre [1,497 ha] Riverlands Migratory Bird Sanctuary, strategically positioned at the core of the Mississippi Flyway along the banks of the Mississippi River, near its confluence with the Missouri River. More than 300 avian species rely on the flyway for sustenance, refuge, and safe passage, rendering it one of the most extraordinary migration corridors on the planet. The Audubon Center at Riverlands is committed to fostering a deep connection between humans and the splendor and significance of the Mississippi River and the Great Rivers confluence to inspire the conservation of the river’s diverse avian population, wildlife, and other natural assets.37

 

Site 

 

The Army Corps of Engineers commissioned the author to design and construct a bird blind along the banks of the Mississippi River near the Audubon Center. The selected site is located next to a parking pad with views to Heron Pond at the starting point of the Paul E. Bauer Memorial Trail. The off-the-grid location lacks access to power, potable water, and sewer systems. 

 

Design

 

The design of a single 124 ft. [37.8 m] long spiral wall encloses a ramp with a constant 1:12 slope. The resulting accessible promenade leads the visitor into a platform with a seating area elevated 6 ft. [1.8 m] above grade. The height of the concrete load-bearing wall, remaining at handrail level along the sloping ramp, rises 8 ft. [2.4 m] above the platform to support a concrete slab that provides shelter to the seating area. However, the downward sloping of the wetlands toward the pond increases the effective height of the viewing platform to a total of 15 ft. [4.5 m]. Biologists at the Army Corps of Engineers determined this optimal height difference. The goal was to obtain panoramic views of the ecosystems from an elevated point (Fig. 5).

Figure 5.
5

Bird blind view from Riverlands Way.

The spiraling design strategy of the continuous peripheral enclosure allows for a 360-degree view, providing a unique visual connection with the surrounding wildlife. The structure is characterized by a continuous 6 in. [15 cm] wide load-bearing spiral wall composed of four consecutively linked semicircles of different radii. Its concentric curvilinear geometry provides a self-braced structure, resulting in robust lateral stability compared to conventional rectilinear walls (Fig. 6).

Figure 6.
6

Bird Blind floor plan (left), cross section (middle), and massing scale model (right).

The spiral wall serves both aesthetic and functional purposes. It features silhouettes of the most common local birds using a halftone reprographic technique to create patterns of small circular openings or “dots” of varying sizes and depths. The taller portions of the wall can accommodate larger number of dots, allowing more elaborate images to be reproduced. (Fig. 7).

Figure 7.
7

Top left: dot patterns featuring silhouettes of different local birds; top right: 1:3 concrete scale mockup with perforations featuring a Cardinal bird; and bottom: unfolded spiral elevation displaying indentations and perforations.

The entire wall was subdivided by a 6 x 6 in. (15 x 15 cm) matrix, allowing the dots to be precisely placed to follow the proposed bird figures. This careful distribution of perforations and indentations results in a façade that brings unique textures to the space and effectively controls visibility, air, and light penetration (Fig. 8). The façade’s avian theme is an essential educational component that speaks to the mission of the Audubon Center. The Center uses STEM skills to provide hands-on experiential learning opportunities for K-12 students through the Nature Education for Stewards of Tomorrow (NEST) program.38 It is expected that schools from marginalized communities in the core service areas of the St. Louis metropolitan region will be able to take advantage of the bird blind for their classroom curricula by increasing the awareness of environmental issues and local ecologies. 

Figure 8.
8

Bird blind view from top platform looking south-west.

Materiality

 

The Audubon Center’s need to provide a durable and resilient structure able to withstand harsh climatic conditions – including flooding events that regularly occur at the site – weighed on the material selection for the project. Concrete’s strength, durability, and maintenance-free qualities made it an ideal choice for this type of outdoor public space. 

 

The compressive strength of concrete depends on the mixing ratios of the cement, aggregates, and water. For instance, a standard-grade concrete M25, with a compressive strength of 3,625 psi (25 MPa), typically requires a mix ratio of 1:1:2 (one part of cement, one part of sand, and two parts of coarse aggregates) and a maximum W/C (water-to-cement) ratio of 0.45. For the construction of the bird blind, High-Performance Concrete (HPC) was employed, using a mix ratio of 1:2:2 (one part of cement, two parts of river sand, and two parts of 3/8 in. [10 mm] limestone chips as coarse aggregate). The mix incorporated 2.5% of the cement weight in AR glass fiber filaments to enhance its flexural strength. The concrete mix included 3 percent of the cement weight of Tec-10 GFRC Admix made by Trinic. 

This concrete admixture powder increases the workability of the mix and mitigates shrinkage cracking. To reduce the W/C ratio, a proprietary blend of a powdered plasticizer with dispersing and wetting agents was included in the mix (one percent of cement weight). This product complies with ASTM C-494 A and F High-Range Water Reducers. The superplasticizer enables a low W/C ratio of 0.33, resulting in much lower porosity and higher compressive strength. Concrete cylinders – 4 x 8 in. [10 x 20 cm] – were tested at fifteen days, yielding an average compressive strength of 8,500 psi [60 MPa] and 9,250 psi [64 MPa] at twenty-eight days. Additionally, HPC demonstrates superior durability, with a life cycle of two to three times that of standard concrete. A local quarry along the Missouri River, located only four miles from the site, supplied the river sand and the limestone gravel. The use of white cement instead of regular grey Portland cement yielded a light tan color mix showcasing the local nature of the concrete aggregates

 

Mold Making

 

The Bird Blind was designed with a 6 x 6 in. [15 x 15 cm] modular dimension, a choice based on the experience of constructing the prototypes. This dimension provided a suitable height to support a taller concrete row than in the prior tests and ensured that the size was compatible with most standard desktop 3D printers, enabling domestic and affordable mold production.

 

The surface of the spiral wall is characterized by three conditions: solid, indented dots, and perforated dots. Two types of formwork were developed to materialize these conditions. The solid segments of the wall were cast using HDO plywood frames. The frames were faced with a melamine resin laminate. This highly hydrophobic surface works effectively for demolding while providing a very sturdy set of molds able to withstand multiple casts. The geometry of the segments follows the four different radii of the corresponding spiral sections. The intentional use of plywood frames of different lengths (one, two, three, four, and six modules) allowed for different arrangements of the molds, resulting in a random seam pattern on the surface of the concrete wall. In addition, these modules fit within a 6 x 6 in. [15 x 15 cm] grid throughout the entire surface of the spiral wall, facilitating the precise location of each dot as part of the halftone system.

 

The dots were constructed using 3D printed molds, each containing a conical pin in the center of a box-shaped mold with an open back side for clamping. The pins partially or fully penetrate the wall thickness with four different diameters: 1-1/2 in. [3.8 cm], 2-1/2 in. [6.3 cm], 3-1/2 in. [8.9 cm] and 4.5 inches [11.5 cm]. These molds were 3D printed with an infill density of 30 percent, yielding robust molds that support multiple casts. The partial penetrations create indentations that produce shades of darker dots, while the full penetrations create perforations, which, in addition to creating shades, also allow the user to see through. The perforations were cast using two molds paired up on both sides of the wall. Each pair contains a three-inch [7.5 cm] long pin that fits together with a tongue and groove connection, preventing mold displacement while casting concrete. One pair of 3D-printed molds formed each perforation, with each half of the pair forming one side of the wall. The indentations were cast using only the exterior side molds of the wall with a pin protruding inside the wall and an end cap to obtain a smooth, rounded end (Fig. 9). 

Figure 9.
9

(a) 3D printed mold types, (b) wall section showing construction process and mold reuse, and (c) partial and full penetrations molds assembly.

The pins were tapered at a 5-degree angle to allow demolding. The presence of seams due to the joints between molds is an inherent feature of the casting system. All molds were manufactured with materials that allow for multiple casts. The high quality of the molds not only enables multiple casts but also reassures their adaptability for future projects, underscoring the long-term value of the system. The curvilinear nature of the project demanded molds with corresponding geometry for each of the four radii of the spiral wall. The walls required concave molds on the inner side and convex molds on the outer side. Since multiple lengths (modules) exist on each of the four series of curves, the molds are reusable for casting other curved walls and custom combinations. The same criteria apply to the 3D printed molds. They can be reused to cast perforations and indentations within a grid and form any desired figure, further demonstrating the adaptability of the casting method to other projects.

 

Construction Process

 

The foundation system comprises a continuous 12 x 18 in. [30 x 45 cm] concrete grade beam supported by steel helical piles evenly distributed 7 ft. [2.1 m] apart. A series of #4 [ø13 mm] dowels were embedded along the concrete grade beam at 12 in. [30 cm] intervals to ensure structural continuity between the foundation and the concrete wall. Steel reinforcing for the wall consists of #3 [ø10 mm] vertical and horizontal steel rebars at 6 in. [15 cm] intervals. Expansion joints were strategically placed at every transition between semicircles to allow thermal movement and prevent concrete cracking. The pattern of circular perforations served to conceal several weep holes for water drainage, preventing rainwater accumulation on the lower portion of the spiral wall (Fig. 10). 

Figure 10.
10

Bird Blind under construction (left), and casting concrete (right).

The casting process follows the opus versatilium technique, the same procedure used to construct the wall prototypes. The system is highly adaptable to various geometries and wall configurations. A small concrete mixer was employed during the casting, allowing for batches of approximately one cubic foot. Once a row of molds is cast, the next layer is clamped on top, ready for the next cast. This process repeats for every subsequent row (Fig. 11). The spiral wall contains 5,288 modules. On a typical working day, about sixty modules can be cast by a single person working on site, including demolding, cleanup, reinforcing, mold set up and cast. Therefore, completing the spiral wall will take about ninety working days. The project is currently under construction, and the wall is about thirty percent completed. It is estimated to be finalized during the early fall of 2024.

Figure 11.
11

End of spiral wall molds ready to cast (left), and partial and full penetration molds ready to cast (right).

FINDINGS

Opus versatilium, an innovative alternative in concrete construction, offers a simple yet highly effective approach to creating both simple and complex load-bearing walls. The bird blind spiral design embraces the potential of OV in constructing a series of non-conventional contiguous semicircular walls that would be very challenging and costly to build using traditional concrete formwork methods. The indentations and perforations further complicate the construction process with conventional molds. Therefore, OV, a simple casting method, delivered sophisticated results. Despite the complexity of the project, the methodology allowed for a drastic reduction of the number of molds, compared to traditional concrete formwork, with zero waste. 

 

High-Performance Concrete (HPC) has played a pivotal role in enabling resilient concrete enclosures with reduced cross-sections and intricate morphologies. Unlike traditional concrete formwork, which often leads to significant waste and high costs, the OV method has demonstrated the ability to minimize the number of molds required for casting concrete structures, thereby reducing waste generation. 

Furthermore, the reusability of a relatively small number of molds in the OV system significantly reduces the cost of mold-making and assembly processes.

 

While the OV method has proven highly effective, it is important to consider certain limitations. The speed of on-site construction with the OV method was notably slower, although strategies such as utilizing additional mixers or increasing mixer capacity can help accelerate the process. The sequential nature of the system allows casting one row at a time. Although several rows of molds can be placed and clamped at once, the hydrostatic pressure of the fresh concrete will eventually limit the number of rows to be cast simultaneously. During the mockups’ construction, the limit was three rows cast at once. Occasionally, the molds experienced small displacements that originated minor slurry leaks from the concrete batch, which created a few leaking lines toward the bottom of the wall. The lines were scraped off while the concrete was wet, leaving no visible trace. Additionally, since the site had no access to power – the project was effectively off-grid – a small generator (3,200 watt) provided enough power to operate the concrete mixer.

 

The use of 3D printed molds, particularly those made from PLA with specific wall thickness and infill density, has demonstrated durability in enduring multiple concrete casts. However, the exposure to high summer temperatures on site led to softening and deformation of some molds at the pressure points of the clamps. The use of small plywood pads to distribute the pressure of the clamps on a larger surface area was part of the solution. Other materials with higher melting temperatures should be considered for 3D printing molds in future projects. 

CONCLUSION

Vernacular construction provides a repertoire of methods and traditions with the potential to be combined with innovative approaches to respond to contemporary needs. Opus versatilium’s innovation relies on the hybridization of the Roman method of building load-bearing walls (opus caementicium) with a novel formwork methodology (SCCS). This approach harnesses the power of digital technologies (3D printed and digitally fabricated molds) and the latest technological advances in concrete (HPC and UHPC). The self-consolidating property of HPC, a crucial characteristic of the concrete used, allows to cast small intricate spaces without vibrating or compacting the concrete. 

 

This research aims to leverage the global availability and affordability of concrete to provide a practical, cost-effective, and reusable formwork system that is particularly convenient for communities in need. OV has demonstrated remarkable design flexibility by offering an innovative armature to support non-standard load-bearing concrete wall morphologies. Its simplicity enables high- and low-tech applications to be adapted to various scales and conditions. The versatility of the method was further proven in constructing the bird blind – a low-budget, off-the-grid project without requiring skilled labor, instilling confidence in its practicality and effectiveness. Although emphasizing the life cycle of concrete was instrumental in commissioning the project, additional feasibility studies on traditional construction methods might be necessary to support the scope of future applications.

 

The ongoing research seeks to engage future practices focusing on processes rather than products. By recognizing current needs and demands, OV has the potential to adapt to local cultural and environmental contexts with the latest material and technological advances. OV’s innovative approach advances load-bearing walls into new architectural anatomies by taking advantage of the fluidity and resiliency of concrete. It offers promise in developing formwork as an active and accessible design tool and fertile ground for innovation in building envelopes.

References

Aïtcin, Pierre-Claude. “Cements of Yesterday and Today Concrete of Tomorrow.” Cement and Concrete Research, 30, no. 9 (2000). Audubon Center at Riverlands website. https://riverlands.audubon.org/.

Barcelo, Laurent, John Kline, Gunther Walenta, and Ellis Gartner. “Cement and Carbon Emissions.” Materials and Structures 47 (2014).

Bell, Michael, and Craig Buckley, eds. Solid States: Concrete in Transition. 1st ed., Columbia Books on Architecture, Engineering, and Materials. New York: Princeton Architectural Press, 2010.

Cataldi, Giancarlo. “Structural Types.” In Encyclopedia of Vernacular Architecture of the World, edited by Paul Oliver, vol. 1. Cambridge, UK: Cambridge University Press, 1997.

Collins, Peter. Concrete: The Vision of a New Architecture. New York: Horizon Press, 1959.

Courland, Robert. Concrete Planet: The Strange and Fascinating Story of the World’s Most Common Man-Made Material. New York: Prometheus Books, 2011.

Deplazes, Andrea., ed. Constructing Architecture: Materials Processes Structures. 3rd ed. Basel, Switz.: Birkhäuser, 2013.

Forty, Adrian. Concrete and Culture: A Material History. London: Reaktion Books, 2012.

Henry, Kelly A., and Bill Henderson. “Introducing G8WAY DC: Ultra-High Performance Concrete Has It Covered.” The Construction Specifier (March 11, 2014). https://www.constructionspecifier.com/introducing-g8way-dc-ultra-high-pe....  

Hooton, Doug, and John A. Bickley. “Design for Durability: The Key to Improving Concrete Sustainability.” Construction and Building Materials 67, Part C (2014).

Horne, Reg. “Slipform.” In Advanced Concrete Technology, edited by John Newman and Ban Seng Choo, 14/1-14/24. Oxford, UK: Butterworth-Heinemann, 2003.

Koel, Leonard. Concrete Formwork. 5th Edition. Homewood IL, USA: American Technical Publishers, 2016.

Langenbach, Randolph. “From ‘Opus Craticium’ to the ‘Chicago Frame:’ Earthquake Resistant Traditional Construction.” International Journal of Architectural Heritage 1, no. 1 (2007).

Lloret, Ena, Amir R. Shahab, Mettler Linus, Robert J. Flatt, Fabio Gramazio, Matthias Kohler, and Silke Langenberg. “Computer-Aided Design, Complex Concrete Structures, Merging

Existing Casting Techniques with Digital Fabrication.” Computer-Aided Design 60 (2014).

Moyano Fernandez, Pablo. “Sequential Casting Concrete System in Load-Bearing Concrete Enclosures.” Paper presented at the Advanced Building Skins Conference & Expo 2021,

Bern, Switz., October 2021.

Naik, T. R., Ravindra K. Dhir, Tom D. Dyer, and Moray D. Newlands. “Sustainability of the Cement and Concrete Industries.” Achieving Sustainability in Construction: Proceedings of the International Conference held at the University of Dundee, Scotland, UK on 5–6 July 2005 (2005).

Nawy, Edward G., ed. Concrete Construction Engineering Handbook. 2nd ed. Boca Raton FL, USA: CRC Press, 2008.

Nemati, Kamran M. “Temporary Structures, Introduction to Concrete Formwork and Vertical

Formwork Design.” Lecture held at the Tokyo Institute of Technology, Department of Civil Engineering, 2005.

Newman, John, and Ban Seng Choo, eds. Advanced Concrete Technology. Oxford, UK: Butterworth-Heinemann, 2003.

Oleson, John Peter. Oxford Handbook of Engineering and Technology in the Classical World. Oxford UK; New York: Oxford University Press, 2008.

Portland Cement Association website. “Ultra-High Performance Concrete.” https://www.cement.org/learn/concrete-technology/concrete-design-product....

The Concrete Centre website. “Jumpform.” https://www.concretecentre.com/Structural-design/Building-Elements/Formw....

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White, K. D. Greek and Roman Technology. London: Thames and Hudson, 1984.

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Notes 
1

K. D. White, Greek and Roman Technology (London: Thames and Judson, 1984), 73.

2

Pablo Moyano Fernandez, “Sequential Casting Concrete System in Load-Bearing Concrete Enclosures” (paper presented at the Advanced Building Skins Conference & Expo 2021, Bern, Switz., October 2021).

3

Andrea Deplazes, ed., Constructing Architecture: Materials Processes Structures, 3rd ed. (Basel, Switz.: Birkhäuser, 2013), 186.

4

Giancarlo Cataldi, “Structural Types,” in Encyclopedia of Vernacular Architecture of the World, 1, ed. Paul Oliver (Cambridge: Cambridge University Press, 1997), 644-45.

5

Deplazes, Constructing Architecture, 13-14.

6

J. B. Ward-Perkins, Roman Architecture (New York: H. N. Abrams, 1977), 11.

7

Randolph Langenbach, “From ‘Opus Craticium’ to the ‘Chicago Frame’: Earthquake-Resistant Traditional Construction,” International Journal of Architectural Heritage 1, no. 1 (2007): 29-59.

8

Ward-Perkins, Roman Architecture, 100-101.

9

John Peter Oleson, ed., Oxford Handbook of Engineering and Technology in the Classical World (Oxford; New York: Oxford University Press, 2008), 261-63.

10

Robert Courland, Concrete Planet: The Strange and Fascinating Story of the World’s Most Common Man-Made Material (New York: Prometheus Books, 2011), 21.

11

Michael Bell and Craig Buckley, eds., Solid States: Concrete in Transition, 1st ed., Columbia Books on Architecture, Engineering, and Materials (New York: Princeton Architectural Press, 2010), 21.

12

Adrian Forty, Concrete and Culture: A Material History (London: Reaktion Books, 2012), 28.

13

White, Greek and Roman Technology, 86.

14

George R. H. Wright, Ancient Building Technology Volume 2: Materials, Technology and Change in History 7 (Leiden, The Neth.: Brill, 2005), 6.

15

Peter Collins, “Concrete,” in Concrete: The Vision of a New Architecture (New York NY, USA: Horizon Press, 1959), 36-55.

16

Kamran M. Nemati, “Temporary Structures, Introduction to Concrete Formwork and Vertical Formwork Design” (lecture held at the Tokyo Institute of Technology, Department of Civil Engineering, 2005), 5.

17

David Johnston, “Design and Construction of Concrete Formwork,” in Concrete Construction Engineering Handbook, 2nd ed., ed. Edward G. Nawy (Boca Raton FL, USA: CRC Press, 2008), 7-11.

18

John Newman and Ban Seng Choo, eds., Advanced Concrete Technology (Oxford, UK: Butterworth-Heinemann, 2003), 20.

19

Headquarters Department of the Army, “Concrete and Masonry, Field Manual No. 5-428” (Washington DC, 1998), 4.

20

Leonard Koel, Concrete Formwork, 5th ed. (Homewood IL, USA: American Technical Publishers, 2016), 43.

21

Ena Lloret et al., “Complex Concrete Structures: Merging Existing Casting Techniques with Digital Fabrication,” Computer-Aided Design 60 (2014) – doi: 10.1016/j.cad.2014.02.011.

22

Johnston, “Design and Construction,” 7-11.

23

Reg Horne, “Slipform,” in Newman and Choo, Advanced Concrete Technology, 14/1.

24

“Jumpform,” The Concrete Centre website – http://www.concretecentre.com/Structural-design/Building-Elements/Formwo..., accessed January 6, 2024.

25

Doug Hooton and John A. Bickley, “Design for Durability: The Key to Improving Concrete Sustainability,” Construction and Building Materials 67, Part C (2014): 422-30.

26

Laurent Barcelo et al., “Cement and Carbon Emissions,” Materials and Structures 47 (2014) – doi: 10.1617/s11527-013-0114-5.

27

Pierre-Claude Aïtcin, “Cements of Yesterday and Today Concrete of Tomorrow,” Cement and Concrete Research 30, no. 9 (2000): 1339-59.

28

T. R. Naik et al., “Sustainability of the Cement and Concrete Industries,” Achieving Sustainability in Construction: Proceedings of the International Conference held at the University of Dundee, Scotland, UK on 5–6 July 2005 (2005) – doi: 10.1680/asic.34044.0017.

29

Aïtcin, “Cements of Yesterday,” 1358.

30

“Sustainability,” United Nations website – http://www.un.org/en/academic-impact/sustainability#:~:text=In%201987%2C..., accessed December 15, 2023.

31

Naik et al., “Sustainability of the Cement.”

32

Aïtcin, “Cements of Yesterday,” 1349.

33

“Ultra-High Performance Concrete,” Portland Cement Association website – http://www.cement.org/learn/concrete-technology/concrete-design-producti..., accessed December 10, 2023.

34

Kelly A. Henry and Bill Henderson, “Introducing G8WAY DC: Ultra-High Performance Concrete Has It Covered,” The Construction Specifier (March 11, 2014) – http://www.constructionspecifier.com/introducing-g8way-dc-ultra-high-per....

35

Aïtcin, “Cements of Yesterday,” 1355.

36

Moyano Fernandez, “Sequential Casting Concrete System.” 

37

Audubon Center at Riverlands website – https://riverlands.audubon.org/, accessed December 21, 2023.

38

Ibid., accessed May 5, 2024.

Acknowledgment 

WALL PROTOTYPES CONSTRUCTION

The project was partially funded by a Creative Activity Research Grant awarded by Sam Fox School of Design and Visual Arts

Research Assistants: Catherine Chun and Jonathan Nurko 

 

BIRD BIND PROJECT

The project was partially funded by Washington University’s Office of the Provost Grant, Sam Fox School of Design and Visual Arts and the Audubon Center at Riverlands.

Clients: Audubon Center at Riverlands, Ken Buchholz & US Army Corps of Engineers, Rivers Project Office, Tyler Goble

Structural Engineer: Deborah Steger-Killius, P.E., DSK Structural Engineering, LLC

Foundation System: Spartan Ram Jack St. Louis, Luke Randall

Research Assistants: Sean Shen, Deying Chen, David Yi, Marcus Morehead, Alex England and Flora Chen

On-site Collaborators: Greg Cuddihee, Alex Davis, Jessica Arnold, Wenting Yu

Administration: Chad Henry

Credits 

Figure 1: prototype construction and photo sequence by © the Author.

Figures 2 and 4: drawings by © the Author.

Figure 3: prototypes construction by © the Author, photos by © Catherine Chun.

Figures 5 and 8: render by © the Author & Sean Shen.

Figure 6: drawings and model by © the Author.

Figure 7: drawings and concrete mockup by © the Author.

Figure 9: drawings and photos by © the Author.

Figures 10 and 11: photos by © the Author.

Pablo Moyano Fernandez is an Assistant Professor at Washington University in St. Louis (WashU), where he has been teaching since 2005. Pablo has extensive experience in the field of architecture, developing his career in firms with a strong connection to construction. His teaching and research focus on the performative qualities of concrete applied to building enclosure systems, using innovative methods of fabrication coupled with novel types of concrete. He has been awarded numerous research and teaching grants for his work at multiple scales. Pablo served as the Faculty Project Design Leader for CRETE House, WashU’s entry for the Solar Decathlon 2017, which was awarded second place in the competition’s “Architecture Category Contest.” E-mail: moyano@wustl.edu

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Print Publication Date 
June, 2024
Electronic Publication Date 
Tuesday, June 25, 2024

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