THE PLAN Journal (TPJ) is an open, inclusive, non-ideological and independent platform, founded on an ongoing praxis of criticality. The journal aims at disseminating and promoting innovative, thought-provoking and relevant research, studies and criticism in architecture, design and urbanism. In addition, the TPJ wants to enrich the dialog between research and the professional fields, in order to encourage both applicable new knowledge and intellectually driven and locally relevant modes of practice. With an overarching concern for recognizing quality research, the criteria for selecting contributions will be: innovation, clarity of purpose and method, and the potential transformational impact on disciplinary fields or the broader socio-cultural context.
Latest Articles
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Article
Digital Participatory Design as a Tool for Inclusive and Democratic Post-conflict Reconstruction in Damascus, Syria
VOLUME 9/2024 - Issue 2 [DEMOCRATIC SPACE], Pages: 1 - 22 published: 2025-01-16This research investigates the implementation of digital participatory design to include the engagement of externally displaced persons (EDPs) in envisioning the future of their neighborhoods in post-conflict cities. In a world where conflicts cause large-scale displacement, the conventional top-down framework for reconstruction cannot achieve democratic and sustainable recovery as it excludes EDPs. It has become critical to shift toward a digital, bottom-up participatory approach to steer the reconstruction of space. This study is the first to investigate how EDPs can remotely participate in rebuilding their destroyed cities. It offers insights into how architects and urban recovery practitioners can emphasize the critical role of architecture in enhancing democracy in post-conflict cities. The findings show that a participatory approach helps engage EDPs and leads to an inclusive democratic reconstruction process. Digital participatory practice can also increase drivers of democracy, including social cohesion and citizens’ sense of ownership, and legitimize reconstruction planning. Despite its challenges and limitations, this approach assists architects in forming a deeper understanding of the contextual challenges facing destroyed cities to facilitate creating spaces shaped by the input of EDPs.
Subscribers only
Essay
Tracing Democratic Space of a Public Square: The Case of Square Victoria in Montreal
VOLUME 9/2024 - Issue 2 [DEMOCRATIC SPACE], Pages: 1 - 18 published: 2025-01-16The question of design for democratic space may be formulated through the lens of effect on subjectivity. Under that lens, the paper borrows Norberg-Schulz’s spatial notion of domain to denote the spatial openness of place for gathering things within it, revealing and making their presence tangible through its spatiality. Thus, it follows that good design of a democratic space is a synthesis of form and image in its embodiment of difference and multiplicity. A democratic space is an architectural image of the city as a whole, an image that reflects the psyche as a spatial mode of being. To advance our understanding of the socio-political dimension of space and to take an initial step toward the design of democratic space, the paper revisits the tracing of the morphological development of a public square in downtown Montreal, Square Victoria, as a leitmotif of urban change since its inception in 1810 as a hay market and subsequent effect on subjectivity that its successive redesign promoted.
Featured Articles
Open Access
Position Paper
AI Time, Timing, and Timelessness
VOLUME 8/2023 - Issue 2 , Pages: 207 - 213 published: 2024-01-12 Open Access
Position Paper
The Right to Housing: A Holistic Perspective. From Concept to Advocacy, Policy, and Practice
VOLUME 7/2022 - Issue 2 [The Right to Housing], Pages: 269 - 267 published: 2023-01-10 Open Access
CROSS-DISCIPLINARY STUDIES
Opinion
Baukultur in a Cybernetic Age: A Conversation
VOLUME 6/2021 - Issue 1 , Pages: 7 - 28 published: 2021-05-14We received and we gladly publish this conversation among distinguished theorists and scholars on an important topic, also aligned with the cross-disciplinary mission of our journal. [MS]
ABSTRACT - The article offers a multi-author conversation charting the future of architecture in light of the apparent tension between Baukultur, which combines the culture of building and the building of this culture, and the rapid changes brought about by digital technology, embracing cybernetics and artificial intelligence. The article builds on a discussion of Baukultur to debate in what sense buildings are “machines for living in,” then examines neuromorphic architecture wherein cybernetic mechanisms help buildings sense the needs of their occupants. It closes with an example of a building complex, Kampung Admiralty, that combines cybernetic opportunities with a pioneering approach to building “community and biophilia” into our cities. This article interleaves an abridged version of Michael Arbib’s (2019) article “Baukultur in a Cybernetic Age,” 1 with extensive comments by the co-authors.
Open Access
Position Paper
Gender Matters. The Grand Architectural Revolution
VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 273 - 279 published: 2020-02-07 Subscribers only
CRITICISM
Essay
Japanese Architecture Returns to Nature: Sou Fujimoto in Context
VOLUME 7/2022 - Issue 1 , Pages: 7 - 36 published: 2022-05-16We received and we gladly publish a contribution by distinguished author Prof. Botond Bognar. [MS]
ABSTRACT - The essay introduces the development of Sou Fujimoto’s architecture as it has been influenced by various sources and experiences leading to his recently completed and highly recognized major project, the House of Hungarian Music in Budapest. Among these influences the contemporary economic and political conditions in Japan and beyond, as well as the nature-inspired work of prominent Japanese designers are discussed. Touching upon the seminal work by Tadao Ando and Toyo Ito, the essay also highlights the contrasts and occasional similarities between the so-called “White School” and “Red School” in contemporary Japanese architecture, in referencing nature as the primary source of their designs. Today, these “schools” are best represented, respectively, by the activities of SANAA and Kengo Kuma. Although Fujimoto’s architecture is clearly derivative and part of the radically minimalist White School, the House of Hungarian Music reveals an intimacy and richness
in articulating its relationship to the surrounding natural environment, which quality, if perhaps momentarily, points beyond the minimalism of the “Whites.”
