SILVER TOWER | Bio-Engineered MATTER with Silver Skin project is awareness of global warming and embracing the emergence of the new order of unifying design, science and nature to initiate a dialogue of amplifying the knowledge of architecture. All flora and fauna on this planet need to be understood as partners in the Spaceship Earth. This is the future of architectural practice that encourages and disseminates the vision of the world where every living matter is valued and embraced because of its invisible interrelationship it carries through its cellular level. The research into new organic living material and growth medium is the necessary structures to sustain and expanding the lexicon of performative skins, negotiating adverse environmental conditions. This architectural experimentation demonstrates the interdisciplinary research embedded in technical and design issues that are transferrable to real-world applications. Nature informs design at the molecular level, connecting ecosystems for a healthy and beautiful future. 

This article explores the potential of organic material to conceptualize new means of future tectonic beyond the duality of construction technology and representation through a case study of indigenous craft making. Particularly, we propose the understanding of organic tectonic practice as the dynamic action among the human body, spaces, surface, materials, structural systems, and construction. This idea is demonstrated through the tectonic exploration of banana leaves wrapping practices. The practice has been culturally established as a common indigenous technique in Indonesia, and it has been transmitted across generations through the direct practical demonstration of “making.” The findings suggest that the essence of tectonic practice may be found not merely through its materiality but also within the dialogues that occurred during wrapping operation as an integrated set of action knowledge. The exploration of banana leaf wrapping typologies introduced the idea of tectonics as a whole process that considers the relationship between elements that are often separated. This study concludes that the knowledge of action is equally essential with material properties. Such knowledge must be maintained and promoted as a possibility of searching for good materials in contemporary design practices.

“Wood City” applies mass timber engineering to the 19 building categories that essentially shape our built environments, otherwise financialized as real estate products by Wall Street. Suburban offices, fast-food restaurants, metal warehouses, big-box grocers, garden apartments, single-family houses, hotels, self-storage facilities, assisted living facilities, strip-shopping centers, etc. constitute 75% of the built environment. Given that the US will double its built environment in just one generation coupled with the urgency to develop low-carbon futures, what if cities were built from the only construction system sequestering carbon and engineered to be “energy positive” – wood? Real estate value chains are undergoing transformations in sectors like fuel retail, fast food, grocery, and logistics, while new interest from venture-capital is hybridizing housing, hospitality, healthcare, and the senior services markets. Innovations in timber-engineered buildings to date have been associated with signature projects involving tall buildings and cultural institutions. Alternatively, Wood City outlines a design research agenda for mass timber through the pattern languages of ordinary building sectors already undergoing novel mixings of space, services, technologies, and experiences.