This study proposes utilizing AI text-to-image technology to project virtual multi-space onto the spatial operations of actual objects. The foundation of this research lies in demonstrating multi-space within urban game spatial practices. The interplay between actual and virtual notions of space recalls the multi-space concept. The actual-virtual relationship is infinite, potentially giving rise to virtual entities mirrored through spatial mechanisms and operations. Alun-alun, a public space in Indonesia, undergoes everyday time-based temporal-spatial alterations. Notably, it transforms into an imaginative game space at night. By constructing temporary spaces with simple game objects and mechanisms, we observe the potential for multi-space presence based on spatial operations. Generative AI, particularly text-to-image operations in architecture, can project game objects and their properties, revealing various virtual, imaginative multi-space alterations. The study’s findings contribute to expanding spatial design methods in architecture, envisioning collaboration between multi-non-physical spaces within the actual-virtual framework in a future digital realm.

As communities and design professionals confront complex cultural issues in planning, new tools are needed to introduce interdisciplinary cultural inquiry into urban design/planning. Reparative planning is premised on a reckoning with socio-economic and environmental decline through design of the built environment. Cultural mapping is necessary to both visibilize suppressed narratives behind decline and inequity, as well as underwrite new policy and development approaches. City in the Woods is a cultural mapping project that supports planning for Cherokee Village. Moving beyond the map as object to mapping as a process, we employed the deep map to sketch a memoir of place different from the disciplinary linearity found in conventional cartography. Cultural mapping animates diverse data sets through various visual literacies ranging from serial filmstrip narratives, to collages, thick description drawings that reconstruct lost local heritage landscapes, and geospatial mapping of the built environment. Change requires storytelling. This descriptive agency in planning, entailing collaboration between design professionals and community, models an equity-based approach beginning with stories that enable community self-advocacy, motivate institutional redesign, and construct new urban forms.

This article sets out to interrogate the exhibition as an essential form of critical discourse in architecture, looking at how it has engendered new conceptual and operative approaches to the vernacular notion. Focusing on the late 20th century, it explores how the exhibition space contributed to the praise of the vernacular as a valid design reference, by creating a platform for its renewed, consistent, and systematic reinterpretation. This praise did not entail the recovery of history but the redefinition of the relation between tradition and concepts of modernity, building and pre-existent context. The exhibition space thus served as a catalyst to the return of the vernacular model; it enabled new connections between project, travel, and theoretical discourse, engaging ever more international audiences. In recent exhibitions such a model manifests itself again through full-scale models, mock-ups, and pavilions that prioritize issues of materiality, construction, and experience. The article, ultimately, explores the vernacular as a cogent theme which may hold the key for a more inclusive, culturally-rooted, and holistic approach to the design of the built environment and its interpretation.

Throughout history, cities have always been extended towards the countryside without contemplating the other direction. While current urban farming practice tends to play a remedial role in our urban design processes and strategies, it is time for a paradigm shift between cities and the organic worlds that sustain them. Meanwhile, emerging eco-cities, such as the Masdar City project, were devised with ecological mechanisms almost exclusively driven by economic imperatives of the dominating political power. As posited by Federico Cugurullo, this kind of ecological modernization “does not change the traditional capitalistic patterns of production and consumption, and thus replicates the same environmental issues intrinsic to capitalism” (2016). This design research experiments ethnographic method in Toledo, Ohio, to generate urban farming prototypes as localized cultural practice. In response to the “Impossible Dream,” a new urban design initiative of the African American Legacy Project of Northwest Ohio, visual narratives of urban farming urbanism are created to address ecological urbanism and social-economic impacts, as well as building programming and cultural events initiatives, with a focus on public and interactive communal spaces. 

The load-bearing wall has historically served as the primary enclosure and structural component of buildings. However, the Industrial Revolution brought about technological advancements that allowed structural frames to be separated from non-structural enclosures. Today, questions of building resilience and the sustainability of materials and resources are challenging the separation of the wall in terms of its structural, performance, and aesthetic properties. This article explores the hybridization of vernacular knowledge and building construction methods with emerging digital and material technologies as an alternative to current construction practices. The overarching goal is to position the load-bearing wall as a more efficient, resilient, and high-performance enclosure. The material of choice is concrete due to its versatility, strength, durability, availability, affordability, and resiliency. As the result of applied research, the author presents Opus Versatilium (OV), an innovative casting methodology. The commission and construction of a bird blind was essential to demonstrate the feasibility of the proposed method. Capitalizing on the fluidity and versatility of concrete, OV advances load-bearing walls and mobilizes formwork as an active and accessible design tool for innovation in building envelopes.

This article explores the use of travelogues as a tool for narrating the vitality of cultural heritage sites in the contemporary city. To strengthen the existing understanding of narration in architecture and spaces, this study discusses the role of travelogues in capturing the multiple layers of a heritage site, the intersection of imaginary narratives with tangible portrayals, and the importance of the bodily experience in shaping the perception of a place. It also examines the influence of prior knowledge and cultural frameworks on the visitor’s experience and the potential for travelogues to challenge stereotypical constructs and create new narratives. As an ideal extension of the traveler’s body, the travelogue offers a unique perspective on heritage sites by incorporating personal experiences, local facts, and new issues that arise in contemporary society. The authors conducted a workshop in Çanakkale, Turkey, organized for the EU COST action “Writing Urban Places,” where participants created travelogues to document their experiences and reflections on the mythological city of Troy. 

Since early 2021, the discourse concerning the potential and impacts of artificial intelligence on architecture has radically expanded. Discussions have largely focused on the heightened levels of productivity or efficiency that can be achieved within the existing ecology of architectural production processes, as well as the potential disruptions that may arise through human–AI co-authorship of the built world. What this paper asserts is that these dominant narratives appear to be extensions of quite conventional storylines which either frame artificial intelligence as a hyper-computational prosthetic for the enhancement of the architect or architectural office or as a critically disruptive force that will trigger micro- to macro-scale reconfigurations of the domain of built- environmental authorship. The dilemma is that we appear to be thinking of AI on old models of brute-force computation (i.e., Deep Blue) or dystopian conceptions of AI systems that can readily cross-pollinate with and radically disrupt existing societal configurations and dynamics (i.e., HAL-9000). What we have not quite considered are the real capacities and limits exhibited by artificial neural networks anchored around self-play reinforcement learning models (i.e., AlphaZero). 

This research delves into the potential of implementing artificial intelligence in architecture. It specifically provides a critical assessment of AI-enabled workflows, encompassing creative ideation, representation, materiality, and critical thinking, facilitated by prompt-based generative processes. In this context, the paper provides an examination of the concept of hybrid human–machine intelligence. In an era characterized by pervasive data bias and engineered injustices, the concept of hybrid intelligence emerges as a critical tool, enabling the transcendence of preconceived stereotypes, clichés, and linguistic prejudices. This paper not only explores the applied and generative capacities of AI-enabled workflows but also suggests fundamental approaches that can enhance the creative process and confront the embedded biases and injustices within data-driven systems.

AI’s potential is in its ability to sift through vast amounts of contextual data that can drive design decisions. It offers the opportunity to process information about a virtually limitless number of subjects, at a conscious or unconscious level. This has created what Thom Mayne describes as a “paradigm shift” in our perception of site. The architect can now curate, directing results based on AI to restore specificity to projects that, through the distance created between the real site and the computer model, we have lost along the way. We rely on technological workarounds to fix many designable issues in our buildings – an over-reliance on climate control, a willingness to place buildings directly in harm’s way (i.e., building on flood plains), and an ignorance of the context of a site (from archeology to gentrification). This paper offers a provocation: AI can create a return to site and construction sensibilities by harnessing layered data sets such as orientation, topography, climate, or even social fabric. Can AI chart a course towards less reliance on technological band-aids in the production of building?

This research presents the implementation of AI-driven design approaches for final-year architectural design students, aiming to enhance environmental decision-making in their projects. It explores motivations, challenges, and outcomes of integrating AI tools into architectural practice. The use of AI facilitated evidence-based design and increased design exploration. Students showed a strong interest in quantitative environmental design. The research highlights the need for adapting architectural education to incorporate AI and sustainability, aligning with recent reforms in the field. It offers valuable insights for educational bodies, practitioners, and program administrators, emphasizing the importance of AI in training future architectural professionals.